‘One of the most startling paradoxes inherent in [recording] is its close association with death... The dead flower, once alive, is the psychic equivalent of the verbal text. The paradox lies in the fact that the deadness of the [sound], its removal from the living human lifeworld, its rigid fixity, assures its endurance and its potential for being resurrected into limitless living contexts by a potentially infinite number of living [listeners].’ —Walter J. Ong |
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Memento Mori is a cassette specific composition that explores death through the disembodiment caused by the recording media, ‘schizophonia’. |